Another milestone for Diagonal Walking this week. After three weeks of slog, sorry, I mean finessing, I’ve incorporated the changes suggested by my editor. As such, I’ve been able to pass the book onto its next stage: proofing. Again, this is something I’ve sub-contracted to the professionals, and I expect the proofed version back within a couple of weeks. I know it’s been a while since my last blog, but hopefully this one will go some way to explaining why. So, in line with one of the larger aims of this project – to share the triumphs and travails of the writing process – it’s time to bring you up to date.
Re-reading that opening paragraph makes that process sound very logical and sequential. Scratch the surface though, and it’s anything but. As any writer will tell you, the hardest part of the process is probably letting go. Incorporating the edits has been a mix of correcting obvious errors on things like sentence construction, grammar, facts and spelling. So far, so mechanical. Then there have been the moments when I’ve read a sentence or paragraph and thought … ‘You know what?’, and the process of re-crafting has begun.This is the bit that slows you down. Judging the line between making the text better and over-complicating it is a fine one. If I think there’s a change is worth attempting, it’s a case of make it, read it, read it again, and test it against the original. Is it shorter? Pithier? Clearer? If not, revert to the original.
Then there’s the issue of when do you let go? It’s never really finished, is it? My solution to this problem was to set a deadline. I lined up the proofer beforehand. Getting a slot in his schedule meant not only a smooth transition between phases of the book, but also an incentive to finish, sign off and get my life back.
Timing and Proofing
As you’ve probably guessed, all this isn’t a fast process. I can safely say that wasn’t a single page of the original manuscript I sent to the editor that didn’t have some kind of change (necessary or optional) on it. The next time an interviewer asks me the question they always seem to ask: ‘How long did it take you to write the book?’, I may mention this.
I’ve probably spent around ten days making these changes. This is something it’s easy to underestimate. I fully expect to go through the whole thing again when the proofs come through, although hopefully these won’t be quite so fulsome. In between times, I have also created a map of the route for the book. The dilemma here was whether to go down the hand-drawn or digital route. I tried both, but in the end went for the latter. It looked crisper and more professional, as well as easier to read!
My next job is to set myself another deadline to replicate the transition next time I have to let the manuscript go. I fully expect it will be harder next time though. The version on that occasion will be the final one – the one I send to the publisher. Blimey!
My last blog spoke of how I still had one more traditional publisher interested in the book, and how she needed a ‘few weeks’ before she came back to me. To be fair, she came back in a couple of weeks. The opening sentence of her email was encouraging (I quote) ‘there is so much to admire about the project and the writing.’ But, in the end, she was still worried about sales.
I wasn’t too disappointed. Sure, part of me would have relished the affirmation of a professional publisher, but the longer the process of securing one went on, the more I became convinced it wasn’t the route for this project.
My main reason for this is timing. As I’ve mentioned before, I need this book to come out while it’s still relevant, and ideally I think this is probably around the time we exit the EU i.e. the end of March 2019. Assuming we do of course. The events of recent days have highlighted once again, the importance of staying relevant. One of the selling points of the book is going to be a view on where we were during the crazy summer before. This isn’t going to be very interesting if publication is delayed until 2020, which would have been the case if I’d gone down the traditional publisher route. Self publishing it is then.
Selecting a Publisher
My next job then is to select a publisher. This is what will give me the next deadline. The self publishing option gives me control, now is the time to exercise it. I’ve done it before and know where to go, so while the book is away at the proofer I’m going to get some quotes and, hopefully, make a choice. The power, the power. I feel I’ve given the traditional publishing route my best shot, but ultimately I’m back to where my initial instincts were taking me.
Self publishing has come on leaps and bounds in recent years. ‘Package’ suppliers offer not just printing but also marketing and distribution amongst other services. For example, getting a book on Amazon. Most operate a pick and mix system, so it’s a case of selecting the best deal.
Ultimately, time will tell if I get this right. But then again, there’s no 100% proof that any option is the best.
Wish me luck, and stay tuned for further updates. Meanwhile, don’t forget you can download my latest novel for Kindle off Amazon for only 99p – for a limited period only.
Meanwhile, keep walking – diagonally, of course!
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